By Babajide Fadoju
As Oscar nominations draw near, a new podcast episode of Pure Nonfiction delves into the making of “The Alabama Solution,” a documentary exposing deep-rooted abuse and corruption in Alabama’s prison system. Co-directors Andrew Jarecki and Charlotte Kaufman shared insights into their film, which uses smuggled footage from inside the state’s prisons to reveal systemic issues.
Jarecki highlighted the film’s impact on public awareness. He noted that even Alabama residents often remain unaware of the conditions due to secrecy. The documentary presents video evidence of brutality and corruption, including drug dealing by law enforcement officers within the prisons. Jarecki described the Alabama Department of Corrections as the state’s largest law enforcement agency and its most significant drug operation. He emphasized how the film breaks the silence, encouraging families and communities to speak out against these injustices.
Kaufman discussed the challenges of prison journalism. She explained that traditional reporting requires state permission, limiting true investigative freedom. Supreme Court rulings restrict access to incarcerated individuals without oversight. By using contraband cell phones, the filmmakers bypassed these barriers, creating what Kaufman calls one of the first examples of unmediated prison storytelling. This approach allowed them to capture authentic experiences without state interference.
The film has sparked action on the ground. Inmates across 14 prisons have viewed it through illicit means, fostering unity among prisoners and their families. This has led to increased attendance at legislative sessions, where advocates demand reform. Jarecki expressed optimism about the growing movement, aiming to support those pushing for change.
“The Alabama Solution” stands out among the 15 documentaries shortlisted for the Oscars, offering a raw look at incarceration in America. The podcast episode, hosted by Thom Powers, was recorded for an online edition of Documentary Spotlight, co-presented by The Ankler.
Indigenous Leader’s Fight for the Amazon Captured in Oscar-Shortlisted Film
In the latest episode of Pure Nonfiction, director Richard Ladkani discussed his Oscar-shortlisted documentary “Yanuni,” which follows indigenous leader Juma Xipaia in her battle to protect the Amazon from destruction. Ladkani’s conversation, part of a series on shortlisted films, reveals the personal risks and collaborative approach behind the project.
Ladkani met Xipaia after she survived a sixth assassination attempt. Initially in hiding, she was reluctant to engage with media. Ladkani proposed the film as a protective tool, arguing that global visibility would make her a harder target for attackers. By raising her profile, the documentary could draw international scrutiny and outrage if harm came to her.
To build trust, Ladkani gave Xipaia significant control over the narrative. Recognizing her storytelling skills, he invited her to co-produce the film. This ensured her voice shaped the story, from public speeches to intimate moments. Security remained a priority, with Ladkani embedding himself in her life to minimize risks.
A key challenge was communication. Xipaia distrusted translators, prompting Ladkani to learn Portuguese over six months. This allowed direct interaction without intermediaries, deepening the film’s authenticity.
“Yanuni” highlights Xipaia’s courage amid mortal dangers, including threats from those exploiting the Amazon. As one of four films featured in the podcast hosted by Thom Powers, it puts on full display, the environmental and human rights crises in Brazil.
Journalists’ Peril in Russia Explored in New Documentary
Pure Nonfiction’s recent episode features director Julia Loktev discussing her Oscar-shortlisted film “My Undesirable Friends: Part I – Last Air in Moscow.” The documentary follows young journalists facing persecution during Russia’s authoritarian crackdown, offering a glimpse into their daily struggles.
Loktev described her focus during filming, especially in the early days of the full-scale invasion. She prioritized protecting footage and equipment, viewing her role as capturing history. Without press accreditation, she avoided high-risk areas like protests, relying on her subjects to film those scenes instead.
The greatest threats emerged in the journalists’ workplaces. Loktev witnessed their fear of searches and detentions, yet they continued reporting. This resilience inspired her to keep filming, emphasizing ethical persistence over immediate success.
The film portrays the journalists’ determination to do the right thing amid oppression. Loktev’s approach highlights their ongoing work, even without guaranteed outcomes.
As part of a podcast series on Oscar-shortlisted documentaries, Loktev’s interview was hosted by Thom Powers for an online Documentary Spotlight event, co-presented by The Ankler. The episode arrives as Academy members prepare for nomination voting.